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Painting an Awareness of Nature

January 11, 2013

By Jon Vorpe
jvorpe@cityonahillpress.com

The exhibit, which has run from Sept. 17 through Jan. 18, is a collaboration with the local group Santa Cruz Oil Painters (SCOP) and features over 100 oil paintings of local, state and national parks located across California.

Since the Santa Cruz County Bank opened in 2004, it has been committed to collaborating with various local artists in an effort to promote art education and awareness.

Senior vice president and director of marketing for the Santa Cruz County Bank, Mary Anne Carson, said the banks’ artistic collaborations are an “ongoing commitment to supporting and reinvesting in the [Santa Cruz] community.”

For “Painting Our Parks,” Carson wanted to capture the natural beauty of California’s parks while also promoting the oil paintings of SCOP.

Created in 2001, SCOP is a small community of about 30 artists committed to fostering a communal appreciation for the oil painting art form. Through weekly participation in “plein air painting” outings — the act of painting outdoors and on location from the French word “plein” meaning open — the group’s identity is intimately linked with an appreciation of nature.

Co-founder of SCOP, Michele Hausman, discussed the rewards of painting in front of natural landscapes.

“Plein air painting is great because you become immersed in the nature,” Hausman said. “These paintings usually take at least three hours, and that kind of time commitment allows you to look more carefully at the land. It’s much more rewarding than just looking at a quick snapshot of the place.”

In addition to these excursions, SCOP organizes monthly critiques of their artwork, maintains a collection of art instruction DVDs and usually has an annual full-group workshop.

The oil paintings themselves are impressionistic, vibrant and pleasantly fuzzy, conjuring a warm atmosphere that pays tribute to the vast and sprawling landscapes.

One member of SCOP, Lorraine Catania, finds oil painting to be an incomparably effective art medium.

“[Oil paintings have] such a vibrant color,” she said. “Oil allows you to build up texture, creating a three dimensional effect. Watercolor lacks vibrancy. Acrylic dries so quickly that you are unable to create soft edges … You simply cannot get the same effect with any other medium.”

For Catania, plein air paintings are meant to “capture the feeling of the subject matter without a lot of detail,” and are usually studies for more expansive pieces to be finished in a studio.

With the budget for state parks consistently waning, Hausman and her collective of nature-oriented painters are eager to raise public awareness for the diminishing funds.

“The state parks are in dire need of financial support,” Hausman said. “It’s important to build a public awareness of the nature around us. Hopefully this project will encourage people to protect these areas.”

While 100 percent of proceeds for Santa Cruz County Bank exhibits typically go to the artists, SCOP chose to donate 20 percent of exhibit funds to the Friends of Santa Cruz State Parks group, which is a close-knit community of nature enthusiasts who work to preserve parks throughout the state.

“When we first heard about the statewide park closures,” Catania said, “we felt that we might be able to help by heightening the awareness of the plight of our parks.”

One way “Painting Our Parks” has combated the statewide park problems has been to encourage visitation of the more obscure local parks under most people’s radar.

“Quail Hollow in Felton is such a pleasant place,” Hausman said, “and most people don’t even know about it. We spend a lot of time in these parks painting and we really wanted to provide an awareness of these places. Hopefully, after people see our paintings, they’ll have a new park to visit in the area.”

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